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Camp & Fassbinder
Out of the woodwork: Reading Fassbinder’s Bitter Tears and Querelle through decor
Andrew Infanti is a unapologetic film geek. This unpublished article is above all a stylistic exercise: the writer tries his hand at the analytical tools and language turns of “Cultural Studies” so prevalent in University discourse since the 1990s. The text of the piece attempts an analysis of camp strategies in two films by Rainer Werner Fassbinder: The Bitter Tears of Petra von Kant and Querelle.